TwinLink · Cast a director. Make a film.
TwinLink is a creative studio behind a new generation of mini-films and commercials. Cast a fictional auteur, brief them, and direct frame by frame — Cannes-tier craft, without the agency.
[01] Manifesto
Most AI tools type a prompt and pray. We treat every film like a shoot — with a director on call, a treatment, a cast, blocked scenes, composed frames, and a color script. Craft, not slot-machine.
Cast a fictional auteur. Lock identity once, reuse forever. Your cast, your locations, your brand — engineered as plates that never drift. Approve each stage. Ship when it's yours.
Directors to cast
Approval gates
Master delivery
Concept to cut
[02] The lobby
Cast your director.
Twenty fictional auteurs. Each one a school of cinema, a voice, a list of films cited. Pick one to lead. Pick a second if you want a co-director — they'll argue.
Yuki Sato
Hong Kong romantic atmospherics
Marcel Vraí
French New Wave
Nadia Camillo
Italian neorealism
Kaito Mori
Tokyo street poetics
Edgar Loomis
American gothic
Zara Okafor
Lagos magic realism
Henrik Aalto
Nordic minimalism
Catarina Reis
Iberian melodrama
+ 12 more in the lobby
Sign in to cast[03] Selected films
The reel.
Four films, looping in muted black-and-white below. Grizzlies, Dream Big, Garage Pizza, Now on Android — each composed, directed and rendered through the TwinLink pipeline.
Grizzlies
AI short · 21:9 · Noir
Dream Big
60s · 16:9 · Editorial
Garage Pizza
90s · 16:9 · Vérité
Now on Android
30s · 9:16 · Hero
[03.5] Inside the studio
Scroll →
Casting
Cast your director.
Twenty fictional auteurs, each with a school of cinema, a voice, and a body of work. Pick one or two — they show up as talking-head avatars and direct with you in real time.
Treatment
They pitch you back.
One image becomes a treatment — location, color script, camera language, the music in their head. Approve it or push back. They argue for the film they want to make.
Plates & Keyframes
Frames before motion.
Identity-locked plates of cast, locations, wardrobe, props. Composited into stills before any second of motion is rendered. Cannes-tier craft is decided here, not in the prompt.
The Cut
Scored, graded, shipped.
Every approved frame becomes a directed shot. Cut, scored, grain pass, LUT, letterbox. Mastered at 4K and exported for any aspect, any channel — without leaving the tab.
[04] The method
Five stages.
Five approvals.
Lobby · lead · co-director
Casting
Pick one director or two. Each is a fictional auteur with a school, a voice and a body of cinema cited. They show up as talking-head avatars and stay with you from pitch to wrap.
Concept · world · color · camera
Treatment
You describe the image you can't stop seeing. Your director returns a treatment — one location, one color script, one camera language. Approve it, or push back.
Characters · locations · wardrobe · props
Plates
Identity-locked references, generated once and reused everywhere. Multi-angle character sheets, location masters, wardrobe, props — composited into stills before any motion is wished for.
One composed still per shot
Keyframes
Every shot becomes a composed still — framing, pose, lens, lighting, depth. Cannes-tier is decided here, not in the prompt. Edit, re-light, swap wardrobe — without losing what you already approved.
Direct · score · grade · master
The Cut
Each frame becomes a directed shot. Cut, scored, grain pass, LUT, letterbox. Mastered at 4K, exported in any aspect — vertical for stories, anamorphic for the festival, square for the feed.
[05] The director on call
A studio in a browser tab.
Your director is a talking-head avatar, live on screen — pitching, blocking, calling lens choices, teaching the school as you go. Casting, treatment, shotlist, cut — one workspace, no plugins, no exports.
Realtime AI director with voice and face
Identity-locked plates that never drift
Composed keyframes before any motion
Lineage graph — every edit traceable
4K master, multi-aspect export
[06] Built for every category
[07] From the lobby
“Composition is character. Where the camera sits decides what the audience feels. Hold longer than feels comfortable. Then hold longer than that.”
Yuki Sato
Director · Hong Kong romantic atmospherics
[08] Pricing
Pay per film.
Credits burn only when you generate. A 60-second film runs roughly 100 credits end-to-end.
Opening
$29
For the first film
- 200 credits / month
- Up to 1 film, 60 seconds
- All aspects, 1080p master
- Email support
Director
★ Popular$119
For working creatives
- 1,000 credits / month
- Unlimited films up to 90s
- 4K master · priority render
- Early access to new craft
Studio
Custom
For brands & agencies
- Unlimited render · team seats
- Brand-locked plate library
- Dedicated creative engineer
- SLA, SSO, invoice billing
[09] Start now
TwinLink · 2026
TwinLink is invite-only while we onboard our first directors. Request access and we'll reach out within 72 hours. The benchmark is Cannes Lions — not engagement rate.